The Charlotte Observer has 5 questions for Marek Ranis

Marek Ranis, Albedo-Carpets, 2007, 7' x 6', wool. Handmade by Tibetan
refugees in Katmandu, Nepal; based on Albedo paintings.
No child labor was used to produce the rugs.
 

He's not an art historian, but otherwise, this is a nice little Q&A! Go Marek, my friend!

Marek Ranis makes multimedia work about social issues like climate change and war. And he's a really cool guy. In this Q&A, he talks about his work and how Americans tend to view it versus Europeans:

"There is something special in America and Charlotte. People are much more willing, especially at the openings, to talk to others, much more open to engage in some kind of conversation. They ask questions and are more willing to say I don’t understand or question the work. I really enjoy that exchange more than Europe where people are a little bit more jaded and they feel like they don’t want to show they don’t know something."

Read more at the Charlotte Observer

Article by Joanne Spataro


Visit Marek's' website: Marek Ranis

Read more here: http://www.charlotteobserver.com/2012/11/07/3650050/marek-ranis.html#storylink=cpy

“It is a sign of great inner insecurity to be hostile to the unfamiliar.”

Oh, this is the best explanation of the importance of the writer and artist in society:

"Educators do all in their power to prepare you to enjoy reading after college. It is right that you should read according to your temperament, occupations, hobbies, and vocations. But it is a sign of great inner insecurity to be hostile to the unfamiliar, unwilling to explore the unfamiliar. In science, we respect the research worker. In literature, we should not always read the books blessed by the majority. This trend is reflected in such absurd announcements as “the death of the novel,” “the last of the romantics,” “the last of the Bohemians,” when we know that these are continuous trends which evolve and merely change form. The suppression of inner patterns in favor of patterns created by society is dangerous to us. Artistic revolt, innovation, experiment should not be met with hostility. They may disturb an established order or an artificial conventionality, but they may rescue us from death in life, from robot life, from boredom, from loss of the self, from enslavement.

When we totally accept a pattern not made by us, not truly our own, we wither and die. People’s conventional structure is often a façade. Under the most rigid conventionality there is often an individual, a human being with original thoughts or inventive fantasy, which he does not dare expose for fear of ridicule, and this is what the writer and artist are willing to do for us. They are guides and map makers to greater sincerity. They are useful, in fact indispensable, to the community. They keep before our eyes the variations which make human beings so interesting. The men who built America were the genuine physical adventurers in a physical world. This world once built, we need adventurers in the realm of art and science. If we suppress the adventure of the spirit, we will have the anarchist and the rebel, who will burst out from too narrow confines in the form of violence and crime."

Anais Nin, 1949 (Diary of Anais Nin, Vol 5)

From Brain Pickings

Beverly McIver, The Mint Museum and Me !

Ohhhh, this is going to be fun! I'm helping out Mint Museum's master educator Rita Shumaker by leading a painting session on expressionist figure painting on November 20 (6:30-8:30).  This is one session only in a three session class that's in conjunction with Beverly McIver's exhibit at the Mint. 

Beverly McIver, Renee Moving Away, oil on canvas, 48x48", 2003 courtesy Mint Museum

It's a lovely little show...intimate, containing primarily portraits of the artist's mother and mentally disabled sister. It's gestural and direct, and there seems to be great joy within the works.  I saw just just moments after viewing the big Giacometti exhibit at the Bechtler, and the contrast was marked. The stillness and structural veil of Giacometti's work compared to the intimacy and directness of McIver's---two wildly differing approaches, but both dealing with psychological status.

Here's a link to the exhibit: Reflections: Portraits by Beverly McIver at the Mint Museum

And here's a link to the artist's website: Beverly McIver



Contact the Mint if you're interested in the class (but do it soon)!